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In the 1650s and '60s, as Amsterdam flourished as a hub of commerce and politics, Kalf perfected the pronk (display) still life to exhibit its prosperity. Using an arrangement of objects generally extremely similar to the ones in Still Life with a Chinese Porcelain Jar, depicted with a rich, velvety atmosphere and glistening light, Kalf captured his city's wealth for all to admire. [3]
Overall, Ge remains somewhat elusive, but basically comprises two types—one with a 'warm rice-yellow glaze and two sets of crackles, a more prominent set of darker colour interspersed with a finer set of reddish lines' (called chin-ssu t'ieh-hsien or 'golden floss and iron threads', which can just faintly be detected on this bowl). [61]
[4] Metlox Manufacturing Company: Manhattan Beach: 1927–1988: Tableware, giftware, kitchenware, cookie jars, figurines & art ware [7] Pacific Clay Products: Los Angeles: 1916–present: Sewer pipe. From 1932 to 1942: "Pacific Pottery" tableware, kitchenware, art ware & figurines. From 1943–present: brick & pavers [8] Vernon Kilns: Vernon ...
The kilns were large producers of roof tiles, including the ornamented or fully sculptural elements used for larger buildings. They also produced large but elegant storage jars called martabans, which were perhaps sometimes distributed containing food products, and sometimes as empty vessels.
The first pieces produced included a ginger jar in House and Bridge, a large shape 14 vase in Solitude, a Stamford shape teapot milk and sugar in Pink Roof Cottage, a Conical bowl in Tennis, and a wall plaque in Lightning; there was also a Latona large shape 14 vase that was exclusively available to members of the CCCC.
[4] Small 18th-century vase, with thinning glaze at top. For Chinese ceramics, some museums and books prefer the term "sang de boeuf", some "oxblood", in both cases with varying use of hyphens, and capitals and italics for "sang de boeuf". [5] The most common Chinese name for the glaze is lángyáohóng (郎窑红, "Lang kiln red"). [6]
Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo , and later styles like minimalism that represents Korean Joseon ...
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.
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