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Advent, Christmas and Epiphany: Liturgies and Prayers for Public Worship (Westminster John Knox Press) 2008. Hymns for Today (Westminster John Knox Press) 2009. Love's Open Door: Hymns and Songs 2004-2008 (Hope Publishing Company USA and Stainer & Bell (London UK) 2009. We Can Be Messengers - Worship Songs: Christmas, Before, and After (2001).
"Before"/"After", stylized on the sleeve's tracklisting as "Before" and "After", is a two-piece suite by Canadian rock band Rush. With John Rutsey as drummer, it was composed by bassist and lead vocalist Geddy Lee and guitarist Alex Lifeson , Lee serving as lyricist.
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
The gospel-song genre is unknown in the worship per se by Eastern Orthodox churches, which rely exclusively on traditional chants, and disallow instrumental accompaniment. Along with the more classical sacred music of composers ranging from Mozart to Monteverdi , the Catholic Church continued to produce many popular hymns such as Lead, Kindly ...
Seven days before Christmas Eve monasteries would sing the “O antiphons” in anticipation of Christmas Eve when the eighth antiphon, “O Virgo virginum” (“O Virgin of virgins”) would be sung before and after Mary's canticle, the Magnificat (Luke 1:46b–55). The Latin metrical form of the hymn was composed as early as the 12th century ...
The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Bethel Music's songs were among the most played contemporary worship music in American churches in 2019 [21] [22] and their albums have reached the Billboard 200 multiple times. [ 23 ] [ 24 ] Bethel Music have many songs with tens of millions of views on YouTube , and two with over 100 million views as 2019. [ 25 ]