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Nostalgia is a sentimentality for the past, typically for a period or place with happy personal associations. [2] The word nostalgia is a neoclassical compound derived from Greek, consisting of νόστος (nóstos), a Homeric word meaning "homecoming", and ἄλγος (álgos), meaning "pain"; the word was coined by a 17th-century medical student to describe the anxieties displayed by Swiss ...
Memories, Dreams, Reflections details Jung's childhood, his personal life, and his exploration of the psyche. [W]here the interviewer and the interviewee confine themselves to the strictly personal picture of a rich life, the reader may perceive a wide panoramic vision of a devoted student of the humanities ...
Ostalgie is a complex term that should not be described as a simple emotion of nostalgia. As Ostalgie relates back to the history of the Cold War, it is better to examine this term in the context of history and current influence in Western society; in doing so, the meaning of this term becomes clearer.
How to tap into nostalgia to feel more connected to other people, find meaning in life, and build self-esteem.
Cultural memory is a form of collective memory shared by a group of people who share a culture. [1] The theory posits that memory is not just an individual, private experience but also part of the collective domain, which both shapes the future and our understanding of the past.
This section has a famous scene that makes the reader feel voyeur into the world of Proust when the main character falls into "unbearable nostalgia" by virtue of a bright pink lighter. The third section is an exploration of the pinnacle of romantic love between two adolescents, culminating with them swapping souls after their first night together.
Nostalghia [a] (released as Nostalgia in the United Kingdom) is a 1983 drama film directed by Andrei Tarkovsky and starring Oleg Yankovsky, Domiziana Giordano and Erland Josephson. Tarkovsky co-wrote the screenplay with Tonino Guerra .
The essay shows White engaging in an internal struggle between acting and viewing the lake as he did when he was a boy and acting and viewing it as an adult, or as his father would have. Although White sees the lake as having remained nearly identical to the lake of his boyhood, technology bars his experience and the new, noisier boats disturb ...