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Snake charming is the practice of appearing to hypnotize a snake (often a cobra) by playing and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling and sleight of hand .
The pungi is played by Jogi in the Thar desert. [11] It is in particular played by snake charmers, mostly in the Terai and Nepal, to arouse snakes to dance. [12] The instrument has a high, thin tone and continuous low humming. [13] It has been an important instrument in Indian folk culture and is known by various names in different parts of India.
The male participants play musical instruments, such as the pungi, a woodwind instrument traditionally played to capture snakes, the dufli, been, the khanjari - a percussion instrument, morchang, khuralio and the dholak to create the rhythm on which the dancers perform. The dancers are tattooed in traditional designs and wear jewelry and ...
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Nala Damajanti was the stage name of a late 19th-century snake charmer who toured with P.T. Barnum's circus and performed at the famed Folies Bergère in Paris. French sources identify her as Emilie Poupon (1861–1944), born in Nantey, Jura Department, France.
Iguanas begin to get sluggish or lethargic once the temperature drops below 50 degrees Fahrenheit.