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Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door. A typical panel would be cut to allow 1/4" (5 mm) between itself and the bottom of the groove in the frame.
The panels were not confined to just the walls of a room but were used to decorate doors, frames, cupboards, and shelves also. It was standard for mirrors to be installed and framed by the carved boiseries, especially above the mantelpiece of a fireplace. Paintings were also installed within boiseries, above doorways or set into central panels. [7]
Tracery can be found on the exterior of buildings as well as the interior. [2] There are two main types: plate tracery and the later bar tracery. [3] The evolving style from Romanesque to Gothic architecture and changing features, such as the thinning of lateral walls and enlarging of windows, led to the innovation of tracery. The earliest form ...
The carved panels of the main doors of St Sabina on the Aventine Hill, Rome, are very interesting specimens of early Christian relief sculpture in wood, dating, as the dresses show, from the 5th century. The doors are made up of a large number of small square panels, each minutely carved with a scene from the Old or New Testament.
DIN 18101/1985 defines interior single molded doors to have a common panel height of 1985 mm (normativ height 2010 mm) at panel widths of 610 mm, 735 mm, 860 mm, 985 mm, 1110 mm, plus a larger door panel size of 1110 mm x 2110 mm. [25] The newer DIN 18101/2014 drops the definition of just five standard door sizes in favor of a basic raster ...
The sculptural work is of two types. One category is the low relief done on the outer walls of the shrine with masonry set in lime mortar and finished with plaster and painting. The second is the carving of timber elements: rafter ends, brackets, columns and capitals, door frames, wall plates, and beams.
The architecture of Norway has evolved in response to changing economic conditions, technological advances, demographic fluctuations and cultural shifts. While outside architectural influences are apparent in much of Norwegian architecture, they have often been adapted to meet Norwegian climatic conditions, including: harsh winters, high winds and, in coastal areas, salt spray.
The German name, Fachhallenhaus, is a regional variation of the term Hallenhaus ("hall house", sometimes qualified as the "Low Saxon hall house").In the academic definition of this type of house the word Fach does not refer to the Fachwerk or "timber-framing" of the walls, but to the large Gefach or "bay" between two pairs of the wooden posts (Ständer) supporting the ceiling of the hall and ...
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