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Abstract impressionism is an art movement that originated in New York City, in the 1940s. [1] [2] It involves the painting of a subject such as real-life scenes, objects, or people (portraits) in an Impressionist style, but with an emphasis on varying measures of abstraction. [2]
Antonio Saura Atarés (September 22, 1930 – July 22, 1998) was a Spanish artist and writer, one of the major post-war painters to emerge in Spain in the fifties whose work has marked several generations of artists and whose critical voice is often remembered.
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. [1] One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ...
Modern art begins with the post-impressionist painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec. These artists were essential to modern art's development. [3]
Portrait of Erasmus of Rotterdam by Hans Holbein the Younger. Authentic portraits are ideal, but none exist for the vast majority of historic personalities. Where they exist, authentic portraits, i.e. artistic depictions of a person that purport to provide an individualized, authentic representation of that person's unique looks, based either directly or indirectly on a witness's first-hand ...
Henri Matisse, The Dance I, 1909, Museum of Modern Art.One of the cornerstones of 20th-century modern art.. 20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art.
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Here the imaginary floating forms dominate the scene; they dwarf the forms of visible reality, as represented by the fleshy forms lying in sleep. Through the variation in scale between the dream figures and their earthly forms, Kupka clearly made the painting about an experience of invisible reality with the immaterial dominating the material.