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Adam and Eve is a pair of paintings by German Renaissance master Lucas Cranach the Elder, dating from 1528, [1] housed in the Uffizi, Florence, Italy. The two biblical ancestors are portrayed, in two different panels, on a dark background, standing on a barely visible ground. Both hold two small branches which cover their sexual organs.
Paintings of Adam and Eve by Lucas Cranach the Elder include the following, depicted either together in a double portrait or separately in a pair of paintings: Musée des Beaux-Arts et d'Archéologie de Besançon , 1508–1510 (see Adam and Eve (Cranach, Besançon) )
Adam and Eve, 1504, engraving with burin on copper, 25.1 x 19.8 cm Adam and Eve, 1507, oil on wood panel, 208 x 91 cm per panel. Museo del Prado.. Adam and Eve is the title of two famous works in different media by Albrecht Dürer, a German artist of the Northern Renaissance: an engraving made in 1504, and a pair of oil-on-panel paintings completed in 1507.
Adam and Eve is a c. 1538 oil on limewood painting by Lucas Cranach the Elder, [1] [2] [3] acquired in 1949 from the Cistercian monastery in Osek near Duchcov, now in the National Gallery Prague. It is part of a series of works showing the fall of man produced by that artist, including others now in Besançon (c. 1508–1510) and in Florence ...
Gnostics discussed Adam and Eve in two known surviving texts, namely the "Apocalypse of Adam" found in the Nag Hammadi documents and the Testament of Adam. The creation of Adam as Protoanthropos, the original man, is the focal concept of these writings. Another Gnostic tradition held that Adam and Eve were created to help defeat Satan.
The Original Sin (film) P. Paradise Lost; ... The Tragedy of Man (film) ... Media in category "Cultural depictions of Adam and Eve"
Adam and Eve is a 1533 oil on panel painting by Lucas Cranach the Elder, dated on the rock at the bottom by Adam. It is now in the Museum der bildenden Künste in Leipzig, [1] to which it was donated by the Sternburg Foundation. [2] It is one of a series of about thirty paintings by that artist showing the fall of man. The Museum der bildenden ...
That year Rodin was also commissioned by France's Ministry of Fine Arts to produce two colossal figures of Adam and Eve, which he suggested using to flank his The Gates of Hell project, then ongoing. For the figure of Adam he reused The Creation of Man, whilst Eve was created separately. [1]