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Jennifer A. Thompson, "The Battle of the USS 'Kearsarge' and the CSS 'Alabama' by Edouard Manet (cat. 1027)" [permanent dead link ] in The John G. Johnson Collection: A History and Selected Works [permanent dead link ], a Philadelphia Museum of Art free digital publication. Manet/Degas exhibition at Musée d'Orsay, from 28 March to 23 ...
Scott Allen, Emily A. Beeny, Gloria Groom: Manet and modern beauty, the artist's last years. Art Institute of Chicago und J. Paul Getty Museum Los Angeles 2019–2020, J. Paul Getty Museum, Los Angeles 2019, ISBN 978-1-60606-604-1. Denis Rouart, Daniel Wildenstein: Edouard Manet: Catalogue raisonné. Bibliothèque des Arts, Paris und Lausanne 1975.
The French artist Édouard Manet (1832–1883) felt strongly that keen observation made a great painter. A brilliant technician who used broad strokes of paint as comfortably as he did minute dabs of color, Manet explored ideas about light that set the stage for the Impressionist movement. He completed Blue Venice while touring Italy in 1874.
Philadelphia Museum of Art: The Brioche: 1870: 65 × 81 cm: Metropolitan Museum of Art (New York) Repose (Berthe Morisot) 1869 / 1870: 150.2 × 114 cm: Rhode Island School of Design Museum The Funeral: 1867-70: 72.7 × 90.5 cm: Metropolitan Museum of Art (New York City) Effect of Snow on Petit-Montrouge: 1870: 59.7 × 49.7 cm: National Museum ...
The Spanish Singer is an 1860 oil painting on canvas by the French painter Édouard Manet, conserved since 1949 at the Metropolitan Museum of Art of New York. Composed in Manet's studio, it employed a model and props which were later used for at least one other painting. [1] This work, both realistic and exotic in its depiction of its subject ...
It is the last painting by Manet of his favourite model, the fellow painter Victorine Meurent, who was also the model for his earlier works Olympia and the Luncheon on the Grass. It was exhibited at the Paris Salon in 1874, and donated to the National Gallery of Art in Washington, D.C. in 1956.
The Funeral (1867-1870) by Édouard Manet The Funeral (French – L'Enterrement ) is an 1867–1870 oil on canvas painting by Édouard Manet , now in the Metropolitan Museum of Art in New York . Incomplete, its style is very close to that of Effect of Snow on Petit-Montrouge and The Exposition Universelle of 1867 (Rouart, Widenstein 1975 no. 123).
Luncheon in the Studio (or The Luncheon) is an 1868 oil painting by Édouard Manet.Partially a portrait of 16-year-old Léon Leenhoff — the son of Suzanne Leenhoff before her 1863 marriage to Manet, and possibly the son of Manet or Manet's father Auguste — it is also an enigmatic work that has received limited attention within Manet's oeuvre. [1]