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Saxophone technique refers to the physical means of playing the saxophone. It includes how to hold the instrument, how the embouchure is formed and the airstream produced, tone production, hands and fingering positions, and a number of other aspects.
The books produced by Marcel Mule focused on the points mentioned above: technique (scales, arpeggios), articulation and tone production. Some of the study books created by Marcel Mule are: 24 Easy Studies for All Saxophones after A. Samie, Leduc. Alphonse Leduc, 1946, SS, 19 pages.
Teal wrote several books for use by saxophone students and teachers, including: The Art of Saxophone Playing (1963) ISBN 0-87487-057-7; Melodies for the Young Saxophonist; The Saxophonist's Workbook (need ISBN) Daily Studies for the Improvement of the Saxophone Technique
Ravenscroft wrote several books on saxophone technique, including The Complete Saxophone Player (1990). [15] In 2012, Ravenscroft created the music for a series of films featuring photographer Don McCullin, and during 2011–2012 composed for several major advertising campaigns around the world. In summer 2012, he took a break due to ill-health ...
Raschèr is the author of Top Tones For the Saxophone, which is the most widely used and known method book for training saxophonists to perform in the upper and altissimo register of the saxophone. In jazz music, use of altissimo is common, especially among avant-garde players, though one of its earliest practitioners was the swing player Earl ...
His book on this subject, Top-Tones for the Saxophone, was published in 1941 and remains highly regarded to this day. To better demonstrate that the technique of playing tones above high F had its basis in the natural overtone series of the saxophone, he had the Buescher factory create a custom instrument for him: a saxophone body with no tone ...
Saxophone method books were published and saxophone instruction was offered at conservatories in France, Switzerland, Belgium, Spain, and Italy. By 1856 the French Garde Republicaine band was the largest ensemble of its time to prominently feature the instrument, using eight saxophones.
Several of these books have been translated to other languages. His teaching activities at universities and in clinic settings have taken him literally around the world as a result of his varied musical directions and expertise on several instruments, along with an ability to articulate the intricacies of the jazz language, aesthetic and technique.
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