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The String Quartet No. 14 in C ♯ minor, Op. 131, was completed by Ludwig van Beethoven in 1826. It is the last-composed of a trio of string quartets , written in the order Opp. 132 , 130 (with the Große Fuge ending), 131.
The String Quartet No. 14 in G major, K. 387, nicknamed the "Spring" quartet, was composed by Wolfgang Amadeus Mozart in 1782 in Vienna. In the composer's inscription on the title page of the autograph score is stated: li 31 di decembre 1782 in vienna. [1] The work was perhaps edited in 1783.
The String Quartet No. 14 in D minor, D 810, known as Death and the Maiden, is a piece by Franz Schubert that has been called "one of the pillars of the chamber music repertoire". [1] It was composed in 1824, after the composer suffered from a serious illness and realized that he was dying.
The String Quartet No. 14 in A ♭ major, Op. 105, B. 193, was the last string quartet completed by Antonín Dvořák, even though it was published before his String Quartet No. 13 (which appeared with the higher opus number Op. 106). [1] Dvořák finished his Fourteenth Quartet in 1895, when he had returned to Bohemia after his visit to ...
Antonín Dvořák's String Quartets Nos. 9–14, particularly String Quartet No. 12 in F major, "American"; [15] also No. 3 is an exceptionally long quartet (lasting 65 minutes) [22] Bedřich Smetana's two quartets, especially String Quartet No. 1 in E minor, "From my Life" (1876), considered the first piece of chamber programme music [21]
Ludwig van Beethoven's late string quartets are: Opus 127: String Quartet No. 12 in E ♭ major (1825) Opus 130: String Quartet No. 13 in B ♭ major (1825) Opus 131: String Quartet No. 14 in C ♯ minor (1826) Opus 132: String Quartet No. 15 in A minor (1825)
Dmitri Shostakovich's String Quartet No. 14 in F-sharp major, Op. 142, was composed in 1972–73. It is dedicated to Sergei Shirinsky, the cellist of the Beethoven Quartet, the ensemble that premiered most of Shostakovich's quartets. The first performance was held in Leningrad on November 12, 1973.
Joseph Haydn wrote sixty-eight string quartets. (The number was previously thought to be eighty-three, but this includes some arrangements and spurious works.) They are usually referred to by their opus numbers, not Anthony van Hoboken's catalogue numbers or their publication order in the First Haydn Edition (FHE).
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