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Orchestra 1907 A15: Nikolai Rimsky-Korsakov: Antar: Orchestra 1909 Incidental music to a 5-act play by Chékry-Ganem; partial reorchestration of most of the symphonic poem Antar Op. 9, the movements reordered and interspersed with reorchestrated fragments of the same work, a fragment of the opera Mlada, orchestrated fragments of songs from the Romances Op. 4 and Op. 7, and an extract from ...
Pages in category "Solo piano compositions by Maurice Ravel" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. G.
Maurice Ravel's Violin and Piano Sonata No. 2 for violin and piano was composed from 1923 to 1927; it was inspired by forms of American music such as jazz and blues. [1] This work was the only violin and piano sonata published during Ravel's lifetime; the existence of the Violin Sonata No. 1 (Ravel) only came to be known long after Ravel's ...
The Violin and Piano Sonata No. 1 by Maurice Ravel, known also as Sonate posthume, is the composer's earliest instance of a sonata for this combination of instruments. Though it was composed 30 years before the publication of his second violin sonata , it was not published until 38 years after his death.
Cover of the first printed edition designed by Ravel himself Le Tombeau de Couperin ( The Tomb of Couperin ) is a suite for solo piano by Maurice Ravel , composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite.
Sonate da camera [10], for solo violin, Op. 2 (Modena, c.1694) Francesco Maria Veracini. 12 Sonatas for recorder or violin solo and basso (no opus number, dedicated to Prince Friedrich August, before 1716, unpublished in the composer's lifetime) 12 Sonatas for violin solo and basso, Op. 1 (dedicated to Prince Friedrich August, 1721)
Solo piano compositions by Maurice Ravel (9 P) ... Piano Concerto in G major (Ravel) This page was last edited on 22 January 2024, at 14:03 (UTC). ...
Tzigane is a rhapsodic composition by the French composer Maurice Ravel.The original instrumentation was for violin and piano (with optional luthéal attachment). The first performance took place in London on 26 April 1924 with the dedicatee, Hungarian violinist Jelly d'Arányi, on the violin and Henri Gil-Marchex at the piano (with luthéal).
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