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Late medieval gothic plate armour with list of elements. The slot in the helmet is called an occularium. This list identifies various pieces of body armour worn from the medieval to early modern period in the Western world, mostly plate but some mail armour, arranged by the part of body that is protected and roughly by date.
Armour for Gustav I of Sweden by Kunz Lochner, c. 1540 (Livrustkammaren). Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer.
A jack of plate is a type of armour made up of small iron plates sewn between layers of felt and canvas. They were commonly referred to simply as a "jack" (although this could also refer to any outer garment). This type of armour was used by common Medieval European soldiers as well as by the rebel peasants known as Jacquerie. [1]
While the term "Gothic" in art history covers the 12th to 15th centuries, Gothic plate armour develops only during 1420–1440s, when the technological development of armour reached the stage where full plate armour (including movable joints) was made, and national styles of "white armour" began to emerge, specifically German ("Gothic") and Italian (Milanese).
A type of armour very similar in design to brigandine, known as cloth surface armor bumianjia (Chinese:布面甲; Pinyin: Bù miàn jiǎ), or nail (fastener, not finger or toe nail) armor dingjia (Chinese: 釘甲; Pinyin: Dīng jiǎ), was used in medieval China. It consisted of rectangular metal plates riveted between the fabric layers with the ...
The sabatons were the first piece of armour to be put on, and were made of riveted iron plates called lames. These plates generally covered only the top of the foot. Some sources [who?] maintain that the broad-toed variant is the true sabaton, whereas the earlier versions should be referred to as a solleret. [2]
Kasten-brust armour is widely represented by paintings and statues of the first half of the 15th century. A style featuring a sharp ridge at the apex of the breastplate first shows up in art during the first decade of the 15th century. By 1420 a more rounded shape begins to appear in art, sometimes with fluted embellishments.
Splint rerebraces were a feature of Byzantine armour in the Early Medieval period. The rerebrace seems to have re-emerged in England, in the early 14th century. [ 2 ] As part of the full plate armour of the Late Middle Ages and Renaissance the rerebrace was a tubular piece of armour between the shoulder defences ( spaulder or pauldron ) and the ...
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