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Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a discipline since ...
t. e. Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29. It was compiled in 1835 by his student Heinrich Gustav Hotho, using Hegel's own hand ...
The Performance of Reading: an Essay in the Philosophy of Literature (2006). Music, Language, and Cognition: And Other Essays in the Philosophy of Music, further collected essays of Peter Kivy (collection, 2007). Antithetical Arts: On the Ancient Quarrel Between Literature and Music (2009). Once-Told Tales: An Essay in Literary Aesthetics (2011).
The modern note-names are given in the Helmholtz pitch notation, and the Greek note symbols are as given in the work of Egert Pöhlmann . [9] The pitches of the notes in modern notation are conventional, going back to the time of a publication by Johann Friedrich Bellermann in 1840; [10] in practice the pitches would have been somewhat lower.
historian. Eduard Hanslick (11 September 1825 – 6 August 1904) was an Austrian music critic, aesthetician and historian. [1] Among the leading critics of his time, he was the chief music critic of the Neue Freie Presse from 1864 until the end of his life. His best known work, the 1854 treatise Vom Musikalisch-Schönen (On the Musically ...
Aesthetics is a sub-discipline of philosophy. In the 20th century, important contributions to the aesthetics of music were made by Peter Kivy, Jerrold Levinson, Roger Scruton, and Stephen Davies. However, many musicians, music critics, and other non-philosophers have contributed to the aesthetics of music. In the 19th century, a significant ...
Stephen John Davies is a Distinguished Professor of philosophy at the University of Auckland, New Zealand. [1] He mainly writes on aesthetics, particularly the philosophy of music but also works on political philosophy. [2] He is a past president of the American Society for Aesthetics (2007–2008), and the New Zealand division of the ...
An often-cited definition of music is that it is "organized sound", a term originally coined by modernist composer Edgard Varèse [15] in reference to his own musical aesthetic. Varèse's concept of music as "organized sound" fits into his vision of "sound as living matter" and of "musical space as open rather than bounded". [16]