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Established on June 18, 1904, Chicago’s Pekin Theatre was the first black owned musical and vaudeville stock theatre in the United States. Between 1904 and around 1915, the Pekin Club and its Pekin Theatre served as a training ground and showcase for Black theatrical talent, vaudeville acts, and musical comedies.
The Black Orchid was an upscale Chicago nightclub that flourished in the mid to late 1950s where, according to print media critics, Johnny Mathis got his first big break. [1] The club opened in 1949. The Black Orchid was declared bankrupt in July 1959, closed, and never reopened. [ 2 ]
Located at 206 South Jefferson Street in Chicago, [3] the club was made out of a three-story former factory. The Warehouse drew in around five hundred patrons from midnight Saturday to midday Sunday. The Warehouse was patronized primarily by gay black and Latino men, [4] who came to dance to disco music played by the club's resident DJ, Frankie ...
As The Charlotte Observer looks back on the stories of the city’s first Black club, Excelsior, we gathered a list of Black-owned hot spots of today.
Other Chicago black and tans included the Dreamland Club, and Royal Gardens (later known as Lincoln Gardens). [28] The Club Alabam in Los Angeles was a black-owned club that hosted major acts who performed in front of integrated crowds.
The Sunset Cafe, also known as The Grand Terrace Cafe or simply Grand Terrace, [1] was a jazz club in Chicago, Illinois operating during the 1920s, 1930s and 1940s. It was one of the most important jazz clubs in America, especially during the period between 1917 and 1928 when Chicago became a creative capital of jazz innovation and again during ...
Wabash Avenue YMCA is a Chicago Landmark located within the Chicago Landmark Black Metropolis-Bronzeville Historic District in the Douglas community area of Chicago, Illinois. This YMCA facility served as an important social center within the Black Metropolis area, and it also provided housing and job training for African Americans migrating ...
The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921."
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