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The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward FitzGerald, who adopted the style from Hakim Omar Khayyam, the 12th-century Persian poet and mathematician. Each verse (save the last) follows an AABA rhyming scheme , with the following verse's A line rhyming with that verse's B line, which is a chain rhyme ...
Children love this poem, but critics find it "coy" and "lightweight". The 'peering into shanties' metaphor is thought "snobbish". The exact animal employed as a metaphor for the railroad initially proves a puzzle, but at poem's end it is decidedly a horse which neighs and stops (like the Christmas Star) at a "stable door".
Cleanth Brooks analysed the sonnet in these terms in The Well Wrought Urn: Studies in the Structure of Poetry. [2] In his essay, "The Language of Paradox", Brooks claims that the poem presents a paradox not in its specific use of images, but in the scenario that the narrator constructs. For instance, London is foregrounded as a natural ...
The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712".
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And hame cam his guid horse, but never cam he. Out cam his mother dear, greeting fu sair. Out cam his bonnie bryde, riving her hair. "The meadow lies green, and the corn is unshorn. But Bonnie George Campbell will never return." Saddled and bridled and booted rode he, A plume in his helmet, a sword at his knee. But toom cam his saddle all ...
W. C. Sellar and R. J. Yeatman parodied Browning's poem in their book Horse Nonsense as "How I Brought the Good News from Aix to Ghent (or Vice Versa)". [5]In 1889 Browning attempted to recite the poem into a phonograph at a public gathering, but forgot the words; this is the only known recording of Browning's voice.
Platero and I, also translated as Platero and Me (Spanish: Platero y yo), is a 1914 Spanish prose poem written by Juan Ramón Jiménez. [1] The book is one of the most popular works by Jiménez, and unfolds around a writer and his eponymous donkey, Platero ("silvery"). Platero is described as a "small donkey, a soft, hairy donkey: so soft to ...