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The dress was an embroidered "Tudor-style" wedding dress with a high collar and "mediaeval" trumpet sleeves, [1] [5] with white silk chiffon under sleeves edged with pearls and other jewels. [6] Her veil was made of silk net embroidered with floral sprays, and her "something borrowed" was the Queen Mary Fringe tiara. [6]
The dress set wedding fashion trends after the wedding. Large puffed sleeves, a full skirt and "soft touch fabrics" became popular requests. [17] Copies by other dressmakers were available "within hours" of the 1981 wedding. [18] Many bridal experts considered the dress a "gold standard" in wedding fashion in the years after the wedding. [19]
The sleeves have three silk strips of red, blue, and yellow with a white cuff. [5] The robe is often decorated with symbols thought to bring wealth, good fortune, and fertility to the new couple. [6] Some common motifs included in the embroidery are flowers, plants, birds, and animal pairs meant to represent the bridal couple. [4]
The finale dress from Lee Alexander McQueen’s Joan collection, 1998 “In his extraordinary fashion show devoted to Joan of Arc, the last model emerged wearing a red hooded catsuit within a ring ...
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In the early 21st century, many wedding dresses were sleeveless and strapless. [3] Other brides preferred styles with sleeves, higher necklines, and covered backs. [3] The latest wedding dress designs, as of 2024, feature drop-waist silhouettes, convertible gowns, intricate crystal embellishments, tulle, and gowns that display vintage charm. [4]
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