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1. “Grandma’s Secret Recipe” by Unknown Grandma’s in the kitchen, with a smile so wide, Mixing up a potion, and I’m by her side. She says it’s magic, and I believe it too,
Thomas and Beulah is a book of poems by American poet Rita Dove that tells the semi-fictionalized chronological story of her maternal grandparents during the Great Migration, [1] the focus being on her grandfather (Thomas, his name in the book as well as in real life) in the first half and her grandmother (named Beulah in the book, although her real name was Georgianna) in the second.
Jenny kiss'd Me. For the 1986 Australian film, see Jenny Kissed Me (film). " Jenny kiss'd Me " (original title: Rondeau) [ 1 ] is a poem by the English essayist Leigh Hunt. It was first published in November 1838 by the Monthly Chronicle. [ 2 ] The poem — per its original title, a rondeau — was inspired by Jane Welsh, the wife of Thomas ...
Mary Dow Brine. Mary Dow Brine (1838-1925) [1] was an American poet, novelist, and lyricist. Her best-known poem is "Somebody's Mother," and her most noteworthy book was " My Boy and I or On the Road to Slumberland," an elegant book illustrated by Dora Wheeler and produced as part of a brief foray into publishing by Louis Comfort Tiffany.
The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
"Let America Be America Again" is a poem written in 1935 by American poet Langston Hughes.It was originally published in the July 1936 issue of Esquire Magazine.The poem was republished in the 1937 issue of Kansas Magazine and was revised and included in a small collection of Langston Hughes poems entitled A New Song, published by the International Workers Order in 1938.
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And miles to go before I sleep. [1] " Stopping by Woods on a Snowy Evening " is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance".