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New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine [1] and Lincoln Kirstein. [2] Balanchine and Jerome Robbins are considered the founding choreographers of the company.
Nicholas Magallanes (November 27, 1922 – May 2, 1977) was a Mexican-born American principal dancer and charter member of the New York City Ballet. [1] Along with Francisco Moncion, Maria Tallchief, and Tanaquil Le Clercq, Magallanes was among the core group of dancers with which George Balanchine and Lincoln Kirstein formed Ballet Society, the immediate predecessor of the New York City Ballet.
Justin Peck (born September 8, 1987) is an American choreographer, director, and dancer associated with New York City Ballet, of which he was appointed Resident Choreographer in July 2014, being the second person in the history of the institution to hold this title. [1]
Tanaquil studied ballet with Mikhail Mordkin before auditioning for the School of American Ballet in 1941, where she won a scholarship. [2] [3] When Le Clercq was fifteen years old, famed choreographer George Balanchine asked her to perform with him in a dance he choreographed for a polio charity benefit. In an eerie portent of things to come ...
Villella became a member of the New York City Ballet in 1957, rising to soloist in 1958 and principal dancer in 1960, last dancing there in 1979. [4]: 179 Among his most noteworthy [5] performances were Oberon in George Balanchine's ballet A Midsummer Night's Dream (with music by Felix Mendelssohn), Tarantella, Rubies in the Balanchine ballet Jewels, and Prodigal Son.
Tiler Kalyn Peck (born January 12, 1989) [1] is an American ballet dancer who is a principal dancer with the New York City Ballet.As well as ballet, she has performed in musical theatre shows and has made cameo appearances in films including Donnie Darko and television series including Tiny Pretty Things.
Farrell began her ballet training as a child in Cincinnati. In 1960, she received a scholarship to the School of American Ballet. Her first leading roles in ballets came in the early 1960s. A muse of George Balanchine, she left the New York City Ballet in 1969 and subsequently moved to Brussels to dance for Maurice Bejart's Ballet of the 20th ...
Soon afterwards, Lincoln Kirstein hired her as the first official photographer for the New York City Ballet. [2] She photographed figures in the dance world including George Balanchine, Michael Bennett, Joe Papp, and David Merrick. [4] She was known for taking photos onstage while posed in the fourth position. [4]