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Shakespeare used the word "flower" more than 100 times in his plays and sonnets. [16] In Hamlet, Ophelia mentions the symbolic meanings of flowers and herbs as she hands them to other characters in Act 4, Scene 5: pansies, rosemary, fennel, lilies, columbine, rue and daisy.
Ophelia (/ oʊ ˈ f iː l i ə /) is a character in William Shakespeare's drama Hamlet (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet. Due to Hamlet's actions, Ophelia ultimately enters into a state of madness that leads to her drowning.
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
Ophelia is a 1894 oil on canvas painting by the English painter John William Waterhouse, [1] depicting a character in William Shakespeare's drama Hamlet.She is a young noblewoman of Denmark, a potential wife for Prince Hamlet.
The painting depicts Ophelia singing while floating in a river just before she drowns. The scene is described in Act IV, Scene VII of Hamlet in a speech by Queen Gertrude. [1] John Everett Millais in 1865, by Charles Dodgson (Lewis Carroll) The episode depicted is not usually seen onstage, as in Shakespeare's text it exists only in Gertrude's ...
Narcissus in culture – uses of narcissus flowers by humans; Lime tree in culture – uses of the lime (linden) tree by humans; Rose symbolism – a more expansive list of symbolic meanings of the rose; Apple (symbolism) – a more expansive list of symbolic means for apples
Hebenon is the agent of death in Hamlet's father's murder; it sets in motion the events of the play. It is spelled hebona in the Quartos and hebenon in the Folios. This is the only mention of hebona or hebenon in any of Shakespeare’s plays. Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of my ...
In 1774, William Richardson sounded the key notes of this analysis: Hamlet was a sensitive and accomplished prince with an unusually refined moral sense; he is nearly incapacitated by the horror of the truth about his mother and uncle, and he struggles against that horror to fulfill his task.