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The song is composed in the key of A major with the chord progression of Asus2-F#m7(add4)-C#m7 in the verses and Asus2-A-Asus2-A-E-D in the chorus. [8] The song uses an EHX Electric Mistress flanger in the verses. "I've danced in the Caribbean for weeks to that song," remarked Joni Mitchell. "I'm an old rock and roll dancer, you know.
In 1967, the song was Tammy Wynette's first number one country song as a solo artist. "I Don't Wanna Play House" spent three weeks at the top spot and a total of eighteen weeks on the chart. [1] The recording earned Wynette the 1968 Grammy Award for Best Female Country Vocal Performance. The song was released in the UK in 1976 and made the Top 40.
I’m not with you. I don’t want you to use my voice. I’m not condoning what you’re doing.” [69] Williams stated: “Our music, and most especially, ‘Love Train’ is about bringing people together, not building walls. I don’t appreciate being associated with Mr. Trump and his usage of our music without permission.” [70]
The song is referenced by Michael Scott in The Office episode "The Fight". The lyrics are changed to "I don't want to work, I just wanna bang on this mug all day". [6] [7] The song was also featured in commercials for Carnival Cruise Line, which paid Rundgren "ridiculous money to use it". [8] It features in the episode "Undercover Burns" of The ...
The humorous monologues throughout the song by Gap Band lead singer Charlie Wilson were inspired by his cousin Bootsy Collins' own humorous slant in his songs.; Wilson's spoken intro, "this is radio station W-GAP", was a reference to Parliament's opening line in "P. Funk (Wants to Get Funked Up)", "welcome to radio station W-E-F-U-N-K, better known as WE-FUNK."
"I Don't Want to Know" has a country music flavor. [4] [5] It is an uptempo song, which recording engineer Ken Caillat describes as "3:16 of high impact energy." [3] Fleetwood Mac biographer Cath Carroll describes the opening of the song as being "unprepossessing" and "almost lumpen."
The song popularized the title expression "que sera, sera" to express "cheerful fatalism", though its use in English dates back to at least the 16th century. The phrase is evidently a word-for-word mistranslation of the English "What will be will be", [8] as in Spanish, it would be "lo que será, será ". [3]
According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time, with a moderate tempo of 99 beats per minute. It is composed in the key of B minor with Gaga's vocal range spanning from F ♯ 3 to G 4. The song has a basic sequence of Bm–D–F ♯ m as its chord ...