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Propaganda activities in Japan have been discussed as far back as the Russo-Japanese War of the first decade of the 20th century. [2] Propaganda activities peaked during the period of the Second Sino-Japanese War and World War II. [3] [4] Scholar Koyama Eizo has been credited with developing much of the Japanese propaganda framework during that ...
Japanese propaganda poster featuring Japanese agrarian immigrants in Manchukuo, designed for English speakers. The Allies were also attacked as weak and effete, unable to sustain a long war, a view at first supported by a string of victories. [176] The lack of a warrior tradition such as bushido reinforced this belief. [177]
The trio was part of Japan's cultural propaganda efforts during the Second World War, aimed at promoting the Greater East Asia Co-Prosperity Sphere—a concept that sought to create a bloc of Asian nations ruled by Japan, ostensibly free from Western imperialism due to being controlled by the Japanese colonial empire. [1]
Across the Equator (Japanese: 赤道越えて, Hepburn: Sekidō Koete) is a 1936 Japanese propaganda documentary film directed by Eiji Tsuburaya in his directorial debut. [3] Produced and distributed by Nikkatsu , [ 2 ] it was shot by Tsuburaya from February to August 1935, whom traveled across the Pacific on the cruiser Asama .
Although Japan's light industry had secured a share of the world market, Japan returned to debtor-nation status soon after the end of the war. The ease of Japan's victory, the negative impact of the Shōwa recession in 1926, and internal political instabilities helped contribute to the rise of Japanese militarism in the late 1920s to 1930s.
Pages in category "Japanese propaganda films" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. 0–9.
Among the factors that led to the emergence of propaganda kimono, three stand out: the introduction of modern textile manufacturing and printing equipment into Japan in the late 19th century, [5] the social and political impetus for Japan to modernize, [6] and, following the Japanese invasion of Manchuria in 1931, political desire to rally support for colonial expansion. [3]
Last Moments of Admiral Yamaguchi by war artist Kita Renzo, 1942. Japanese official war artists were commissioned to create artwork in the context of a specific war. [1] The artists were creating sensō sakusen kirokuga, 戦争作戦記録画 ("war campaign documentary painting") for the government of Japan.