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Compositions created specially for funeral use or as a memorial to a deceased person or persons. Settings of the requiem mass can be found in that subcategory ...
Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute is a posthumous album by Frank Zappa. According to the liner notes, Frank's son Dweezil talked with his father shortly before Frank's death about the songs Frank had written that he would consider to be his "signature" tunes.
Tribute's collaborative technology starts with inviting people to contribute via email, SMS or social media. [7] Participants receive a prompt to record a short video via their phone, computer or tablet. [8] The site's video editing software allows users to drag and drop the clips in their desired order without prior video editing experience. [9]
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
Bill Brown IV (born 1969) is an American composer [1] [2] of music for video games, films, and television productions. He is best known for creating the system sounds and tour software music for Microsoft's Windows XP operating system, as well as his work on the soundtracks of CSI: NY and several Quake, Rainbow Six, Ghost Recon, Command & Conquer, and Wolfenstein games in the 1990s and 2000s.
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Catholic Church. This church service has inspired hundreds of compositions, including settings by Victoria , Mozart , Berlioz , Verdi , Fauré , Dvořák , Duruflé and Britten .
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Billy May and His Orchestra are also credited as playing themselves in the film Nightmare (1956), starring Edward G. Robinson, and May as music and vocal arranger of music by Herschel Burke Gilbert, who was the musical director.
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