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In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
For the C major chord (C,E,G), the conventional left-hand fingering doubles the C and E notes in the next octave; this fingering uses two open notes, E and G: E on the first string; C on the second string; G on the third string; E on the fourth string; C on the fifth string; Sixth string is not played. [49] Major Chords (Guide for Guitar Chord ...
The octatonic collection contains two distinct French sixth chords a minor third apart, and since they share no notes, the scale can be thought of as the union of those two chords. For example, two French sixths based on G and E contain all the notes of an octatonic scale between them.
The so-called "Pythagorean tuning" was used by musicians up to the beginning of the 16th century. "The Pythagorean system would appear to be ideal because of the purity of the fifths, but some consider other intervals, particularly the major third, to be so badly out of tune that major chords [may be considered] a dissonance." [2] The ...
The abbreviations col 8, coll' 8, and c. 8 va stand for coll'ottava, meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves. Any of these directions can be cancelled with the word loco , but often a dashed line or bracket indicates the extent of the music affected.
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
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Letter notation is the most common way of indicating chords for accompaniment, such as guitar chords, for example B ♭ 7. The bass note may be specified after a /, for example C/G is a C major chord with a G bass. Where a capo is indicated, there is little standardisation.
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