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Floral design or flower arrangement is the art of using plant material and flowers to create an eye-catching and balanced composition or display. Evidence of refined floral design is found as far back as the culture of ancient Egypt. Floral designs, called arrangements, incorporate the five elements and seven principles of floral design. [1]
The Flowers of the Four Seasons (Chinese: 四季名花, Sìjì Mínghuā) are a traditional grouping of flowers found in Chinese culture [1] that spread to and influenced other East Asian [2] arts. In Chinese art [3] and culture, the flowers that represent the four seasons consist of: (春兰) Chūnlán – Spring – orchid
One of the earliest appearances of the rosette in ancient art is in early fourth millennium BC Egypt. [2] Another early Mediterranean occurrence of the rosette design derives from Minoan Crete; Among other places, the design appears on the Phaistos Disc, recovered from the eponymous archaeological site in southern Crete.
Cultural organisations such as the Mathematical Sciences Research Institute and the Institute for Advanced Study run events on geometric patterns and related aspects of Islamic art. [63] In 2013 the Istanbul Center of Design and the Ensar Foundation ran what they claimed was the first ever symposium of Islamic Arts and Geometric Patterns, in ...
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
In Ottoman art the large and feathery leaves called saz became very popular, and were elaborated in drawings showing just one or more large leaves. Eventually floral decoration mostly derived from Chinese styles, especially those of Chinese porcelain, replaces the arabesque in many types of work, such as pottery, textiles and miniatures.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
The term is also used to describe north Indian carpets, originally of the late Mughal era in the late 17th and 18th century. However these have large numbers of small flowers in repeating units, often either springing unrealistically from long-ranging twisting stems, or arranged geometrically in repeating bunches or clusters.