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for violin and piano (also orchestral version) [7] [10] Chamber music: 1929: Under the Stars: for violin and piano (also orchestral version) [10] [11] Chamber music: 1941: First Meeting, Souvenir: for viola and piano; written for violist Lionel Tertis; revised for violin and piano in 1943, also as a song [20] Piano: 1911: 6 Short Pieces ...
[70] Hadlock observes that although the best-known music in the opera is "driven by the propulsive energies of Rossinian comedy" and the up-tempo galop, such lively numbers go side by side with statelier music in an 18th-century vein: "The score's sophistication results from Offenbach's intertwining of contemporary urban musical language with a ...
Orpheus, the Greek hero whose songs could charm both gods and wild beasts and coax the trees and rocks into dance, has achieved an emblematic status as a metaphor for the power of music. [1] The following is an annotated list of operas (and works in related genres) based on his myth.
It accounts for less than a quarter of the first act's music, around a third of the second and third acts, and a little under half in the final two acts. [ 65 ] The importance of L'Orfeo is not that it was the first work of its kind, but that it was the first attempt to apply the full resources of the art of music, as then evolved, to the ...
He recorded many albums for Cadence Records during the 1950s and 1960s, experimenting with jazz with a classical influence. He wrote organ symphonies, piano concerti, a cello concerto, three string quartets, a one-act opera, works for organ, piano and violin, a symphonic poem based on the 1939 novel Finnegans Wake by James Joyce, and a set of ...
Richard Strauss 1938. The Divertimento for Chamber Orchestra after Keyboard Pieces by Couperin, Op. 86 (German: Divertimento aus Klavierstücken von François Couperin für kleines Orchester) is an orchestral suite composed by Richard Strauss published in 1942 which consists of eight movements, each one based on a selection of pieces from François Couperin's Pièces de Clavecin written for ...
In his work, Monteverdi incorporates the "speech-song" or recitative first used in Jacopo Peri's opera Dafne and Giulio Caccini's Euridice, both direct precursors of L'Orfeo, and adds solo arias, duets, ensembles, dances and instrumental interludes.
The best known of his songs is "The Lost Chord" (1877, lyrics by Adelaide Anne Procter), written at the bedside of his brother during Fred's last illness. [76] The sheet music for his best-received songs sold in large numbers and was an important part of his income. [77] [n 12] Caricature of Sullivan as a conductor, c. 1879
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