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Classic potter's kick-wheel in Erfurt, Germany An electric potter's wheel, with bat (green disk) and throwing bucket. Not shown is a foot pedal used to control the speed of the wheel, similar to a sewing machine. In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware.
Jun wheel-thrown stoneware bowl with blue glaze and purple splashes, Jin dynasty, 1127–1234 Official Jun "streaked" hexagonal flowerpot and stand, Ming dynasty, 1400–35 Wine cup, opaque bluish glaze with purple-red splashes, late Jin or early Yuan dynasty, 12th–13th century
Jizhou tea bowl with "tortoiseshell" glaze effect Tea bowl (from above), wheel-thrown stoneware with natural leaf resist decoration and brown glaze, late southern Song dynasty, about 1200–1279 Conical Bowl with Blossoming Plum. Glazed light gray stoneware with reserved papercut decoration.
The potter's wheel: In a process called "throwing" (coming from the Old English word thrawan which means to twist or turn, [20]) a ball of clay is placed in the centre of a turntable, called the wheel-head, which the potter rotates with a stick, with foot power or with a variable-speed electric motor. During the process of throwing, the wheel ...
At Koishibara, Onda, and Tamba, large bowls and jars are first roughly coil-built on the wheel, then shaped by throwing, in what is known as the "coil and throw technique". The preliminary steps are the same as for coil building, after which the rough form is lubricated with slip and shaped between the potter's hands as the wheel revolves.
Shelly-sandy ware (SSW) is a type of medieval pottery produced in Great Britain. The pottery fabric is tempered with both sand and shell, most commonly quartz sand and ground-up shell. The fabric is generally dark grey in colour with brown oxidised surfaces. SSW was typically handmade until the potters transitioned to wheel-thrown pottery ...
Oribe ware (also known as 織部焼 Oribe-yaki) is a style of Japanese pottery that first appeared in the sixteenth century. It is a type of Japanese stoneware recognized by its freely-applied glaze as well as its dramatic visual departure from the more somber, monochrome shapes and vessels common in Raku ware of the time. [ 1 ]
A hard fine-textured fabric; very pale grey core (sometimes almost white) with medium grey surfaces; abundant inclusions of fine quartz sand. Frequent smooth wheel-burnishing on surfaces. Wheel-thrown. [5] Cremation jar in Crambeck Parchment Ware decorated with a human face. In the Yorkshire Museum
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