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The absolute threshold of hearing (ATH), also known as the absolute hearing threshold or auditory threshold, is the minimum sound level of a pure tone that an average human ear with normal hearing can hear with no other sound present. The absolute threshold relates to the sound that can just be heard by the organism.
Pure-tone audiometry provides ear specific thresholds, and uses frequency specific pure tones to give place specific responses, so that the configuration of a hearing loss can be identified. As pure-tone audiometry uses both air and bone conduction audiometry, the type of loss can also be identified via the air-bone gap .
Audiogram. An audiogram is a graph that shows the audible threshold for standardized frequencies as measured by an audiometer.The Y axis represents intensity measured in decibels (dB) and the X axis represents frequency measured in hertz (Hz). [1]
The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.
In humans, sound waves funnel into the ear via the external ear canal and reach the eardrum (tympanic membrane). The compression and rarefaction of these waves set this thin membrane in motion, causing sympathetic vibration through the middle ear bones (the ossicles : malleus, incus, and stapes), the basilar fluid in the cochlea, and the hairs ...
In 1885, Arthur Hartmann designed an "Auditory Chart" which included left and right ear tuning fork representation on the x -axis and percent of hearing on the y-axis. In 1899, Carl E. Seashore Prof. of Psychology at U. Iowa, United States, introduced the audiometer as an instrument to measure the "keenness of hearing" whether in the laboratory ...
The equivalent rectangular bandwidth or ERB is a measure used in psychoacoustics, which gives an approximation to the bandwidths of the filters in human hearing, using the unrealistic but convenient simplification of modeling the filters as rectangular band-pass filters, or band-stop filters, like in tailor-made notched music training (TMNMT).
The Bark scale is a psychoacoustical scale proposed by Eberhard Zwicker in 1961. It is named after Heinrich Barkhausen , who proposed the first subjective measurements of loudness. [ 1 ] One definition of the term is "a frequency scale on which equal distances correspond with perceptually equal distances.