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That song has appeared in several movies, including Gone with the Wind, and the tune is well-known today as the melody of the Sunday School standard "Jesus Loves the Little Children". [ 6 ] "The Tramp" was first published in the Mar 6, 1913 edition (fifth edition) of the Little Red Songbook of the Industrial Workers of the World (also known as ...
In 1967, the group's producer, Bones Howe, asked Jimmy Webb to create a pop song with different movements and changing time signatures. Webb delivered "MacArthur Park" to Howe with "everything he wanted", but Howe did not care for the ambitious arrangement and unorthodox lyrics. Ultimately, the song was rejected by the group. [7]
On March 18, 2007, Lydia began her online search for the song on a Usenet group, but later migrated to websites with song identification tools. She posted a 1:15 excerpt of the song to best-of-80s.de (a German forum devoted to eighties synth-pop) and to The Spirit of Radio (a fan site dedicated to Canadian radio station CFNY-FM).
"Why Me" was Kristofferson's lone major country hit as a solo recording artist, reaching No. 1 on the Billboard Hot Country Singles chart in July 1973. [4] The song peaked only at No. 16 on the Billboard Hot 100, but had at that time one of the longer runs (19 weeks) in the top 40 [1] and the most chart reversals (6) in one run on the Hot 100.
"A Few Ole Country Boys" is a song written by Troy Seals and Mentor Williams, and recorded as a duet by American country music artists Randy Travis and George Jones. It was released in November 1990 as the first single from each singer's albums of duets, Heroes & Friends and Friends in High Places respectively.
The song is just over ten minutes in length and consists of four movements. The first and second parts of the song were released as a single edit and reached number 42 on the Billboard Hot 100. [4] Introducing the song live in 1972, lead vocalist Jon Anderson said Yes called it "The Protest Song" when they were making the Close to the Edge ...
Also, when the song was played live, Stipe improvised his own set of lyrics halfway through the song. [20] In a 1988 NME interview, Stipe denied the interviewer's claim that his lyrics on Murmur were "indecipherable", but acknowledged that "Radio Free Europe" was one of the few exceptions, describing it as "complete babbling". [ 21 ]
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