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One of the earliest list of woodcuts by Dürer was assembled in 1808 by Adam Bartsch in his "Le Peintre Graveur" volume 7 [1] and in the appendix. In 1862 Johann David Passavant expanded "Le Peintre Graveur" [2] adding additional woodcuts. Bartsch and Passavant works, which were organized alphabetically, are the source of "B." and "P." numbers ...
Great Passion is a 1497–1510 series of eleven woodcuts plus a frontispiece by Albrecht Dürer. Its title distinguishes it from his later Small Passion. One of the best surviving sets is now in the Albertina in Vienna.
The fourth woodcut of the Apocalypse series, The Four Horsemen of the Apocalypse (1498) The fourth woodcut of the Apocalypse cycle, The Four Horsemen of the Apocalypse, depicts the first four of seven seals that must be opened in order for the Apocalypse to begin. [19] Though hostile in nature, these riders are in no way connected to Satan.
Schmidt, Sebastian. "'dan sӳ machten dy vürtrefflichen künstner reich'. Zur ursprünglichen Bestimmung von Albrecht Dürers Selbstbildnis im Pelzrock", in Anzeiger des Germanischen Nationalmuseums 2010, pp. 65–82, ISSN 1430-5496. Wilhelm, Kurth (ed.). The Complete Woodcuts of Albrecht Durer, Dover Publications, 2000, ISBN 0-486-21097-9.
An earlier woodcut with an allegory of geometry from Gregor Reisch's Margarita philosophica. It depicts many objects also seen in Melencolia I. [40] According to Panofsky, who wrote about the print three times between 1923 and 1964, [41] Melencolia I combines the traditional iconographies of melancholy and geometry, both governed by Saturn.
Saint Michael Fighting the Dragon by Albrecht Durer. Saint Michael Fighting the Dragon is a woodcut of 1498 by Albrecht Dürer, part of his Apocalypse series, illustrating the Book of Apocalypse or Revelation of St. John. [1]
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