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One of the earliest list of woodcuts by Dürer was assembled in 1808 by Adam Bartsch in his "Le Peintre Graveur" volume 7 [1] and in the appendix. In 1862 Johann David Passavant expanded "Le Peintre Graveur" [2] adding additional woodcuts. Bartsch and Passavant works, which were organized alphabetically, are the source of "B." and "P." numbers ...
The fourth woodcut of the Apocalypse series, The Four Horsemen of the Apocalypse (1498) The fourth woodcut of the Apocalypse cycle, The Four Horsemen of the Apocalypse, depicts the first four of seven seals that must be opened in order for the Apocalypse to begin. [19] Though hostile in nature, these riders are in no way connected to Satan.
Schmidt, Sebastian. "'dan sÓł machten dy vürtrefflichen künstner reich'. Zur ursprünglichen Bestimmung von Albrecht Dürers Selbstbildnis im Pelzrock", in Anzeiger des Germanischen Nationalmuseums 2010, pp. 65–82, ISSN 1430-5496. Wilhelm, Kurth (ed.). The Complete Woodcuts of Albrecht Durer, Dover Publications, 2000, ISBN 0-486-21097-9.
Dürer's Rhinoceros is the name commonly given to a woodcut executed by German artist Albrecht Dürer in 1515. [a] Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times.
Great Passion is a 1497–1510 series of eleven woodcuts plus a frontispiece by Albrecht Dürer. Its title distinguishes it from his later Small Passion. One of the best surviving sets is now in the Albertina in Vienna.
Title page. Small Passion is a series of 36 woodcuts and a frontispiece by Albrecht Dürer. [1] One of the best surviving sets is now in the British Museum in London. [2] It was produced in 1511 as a new set of works on Biblical themes and the life and Passion of Christ (its title distinguishes it from his earlier Great Passion) in 1511, the same year as he republished earlier works such as ...
Life of the Virgin is a series of nineteen woodcuts plus a frontispiece, published in book form. It was begun by Albrecht Dürer just after 1500 and only completed 1510-1511. [1] One of the best surviving sets is now in the Staatliche Graphische Sammlung München. It was begun whilst he was still halfway through work on his Great Passion series ...
An earlier woodcut with an allegory of geometry from Gregor Reisch's Margarita philosophica. It depicts many objects also seen in Melencolia I. [40] According to Panofsky, who wrote about the print three times between 1923 and 1964, [41] Melencolia I combines the traditional iconographies of melancholy and geometry, both governed by Saturn.
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