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This page was last edited on 20 April 2019, at 19:12 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Kamsale (folk dance of Karnataka) Kathak (Uttar Pradesh, Classical Indian Dance) Kathakali (Kerala, India, Incorporates dance) Kerala Natanam (Indian Dance created by Guru Gopinath) Krishnanattam; Kuchipudi (Classical Indian Dance, Andhra Pradesh) Kolattam (folk Tamil Nadu) Koli Dance (Folk Maharashtra) Karakattam (folk Tamil Nadu) Kanyarkali ...
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
Indian literature is generally acknowledged, but not wholly established, as the oldest in the world. India has 22 officially recognized languages, and a huge variety of literature has been produced in these languages over the years. In Indian literature, oral and written forms are both important.
All the world's a stage for IMAX (NYS: IMAX) . The provider of super-sized theatrical experiences is announcing an agreement with SPI Cinemas Private Limited to install four digital theater ...
Abhinaya (Sanskrit abhi-'towards' + nii-'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (bhava) of a sentiment (rasa). The concept, derived from Bharata Muni's Natya Shastra, is used as an integral part of all Indian classical dance styles. [1]