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In the film industry, an option agreement is a contract that "rents" the rights to a source material to a potential film producer. [1] It grants the film producer the exclusive option to purchase rights to the source material if they live up to the terms of the contract and make a film (or series) from it. This is known as optioning the source ...
[29] [30] Thus, in many cases, authors might not even have the legal rights to transfer full rights to publishers, or agreements have been amended to make full texts available on repositories or archives, regardless of the subsequent publishing contract. [31]
In US law, these rights belong to the holder of the copyright, who may sell (or "option") them to someone in the film industry—usually a producer or director, or sometimes a specialist broker of such properties—who will then try to gather industry professionals and secure the financial backing necessary to convert the property into a film ...
The Duke and Duchess of Sussex are planning to make a Netflix adaptation of the book ‘Meet Me at the Lake’ by Carley Fortune, according to reports Harry and Meghan ‘buy film rights’ to ...
The author generally is the person who conceives of the copyrightable expression and "fixes" it in a "tangible medium of expression." Special rules apply when multiple authors are involved: Joint authorship: The US copyright law recognizes joint authorship in Section 101. [28] The authors of a joint work are co-owners of a single copyright in ...
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Best-selling author Ken Follett, known for his historical fiction novels, has signed with Independent Artist Group for media rights representation. The author of “The Century Trilogy” has a ...
This results in e-book publishers placing restrictions on the number of times an e-book can circulate and/or the amount of time a book is within a collection before a library's license expires, then the book no longer belongs to them. [8] The question is whether the first-sale doctrine should be retooled to reflect the realities of the digital age.