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The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
He gained prominence for his unique style of poetry that explored philosophical and existential themes. His poetry often reflected deep contemplation on the mysteries of life, [ 5 ] human emotions , and the nature of existence. his verses were characterized by their profoundness and intricacy, earning him a distinct place in Urdu literature.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Rekhta is an Indian web portal started by Rekhta Foundation, a non-profit organisation dedicated to the preservation and promotion of the Urdu literature. [4] The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5]
The following is a List of Urdu-language poets This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Afzal Ahmed Syed (افضال احمد سيد) is a contemporary Urdu poet and translator, known for his mastery of both classical and modern Urdu poetic expression. [1]Born in Ghazipur, India, in 1946, Afzal Ahmed Syed has lived since 1976 in Karachi, Pakistan, where he worked as an entomologist until his retirement in 2005. [2]
Indian author Amrita Pritam, also a close friend of Sara, wrote two books based on the life and works of Sara; Ek Thi Sara (There was a Sara) (1990) and Life and Poetry of Sara Shagufta (1994). Main Sara (Me, Sara), a play written by Shahid Anwar, is based on the life of Sara. [ 2 ]
Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood' is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'].