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In 1993, KRU started their ReKRUed Rap Tour, [6] followed by the Awas Da' Concert tour two years later. In 1997, they released the album Viva Selangor as a tribute to Selangor F.C. and Everest for Everest project [clarification needed] [citation needed] and commenced their KRU Mega Tour, sponsored by Peter Stuyvesant.
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Andrew Dalby noted the historical importance of the Kru languages for their position at the crossroads of African-European interaction. He wrote that "Kru and associated languages were among the first to be encountered by European voyagers on what was then known as the Pepper Coast, a centre of the production and export of Guinea and melegueta pepper; a once staple African seaborne trade". [2]
KRU Studios has produced a number of Malay language feature films such as Cicak-Man, Duyung, Cicakman 2 – Planet Hitam, Jin Notti, My Spy, Magika, and Karak.In June 2008, the company funded and co-produced an English language Hollywood film, Deadline featuring Brittany Murphy [1] for global distribution.
It was the first seventh chord to appear regularly in classical music. The V 7 chord is found almost as often as the V, the dominant triad, [5] and typically functions to drive the piece strongly toward a resolution to the tonic of the key. A dominant seventh chord can be represented by the integer notation {0, 4, 7, 10} relative to the dominant.
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