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The standard German-suited system of leaves, acorns, hearts, and bells appears in the majority of cards from 1460 onwards. There is no evidence for this system prior to this point. The French design was created around 1480 when French suits were invented and was a simplified version of the existing German suit symbol for hearts in a German ...
The German suit system is one of the oldest, becoming standard around 1450 and, a few decades later, influencing the design of the now international French suit system of Clubs, Spades, Hearts and Diamonds. Today German-suited playing cards are common in south and east Germany, Austria, German-speaking Switzerland, Liechtenstein, north Italy ...
Acorns are the highest suit in the games of Skat, Schafkopf and Doppelkopf, but the lowest in Préférence. In Watten, the 7 of Acorns (the Spitz or Soach) is the third highest trump card. The standard German-suited system of leaves, acorns, hearts, and bells appears in the majority of cards from 1460 onwards. There is no evidence for this ...
Johann Kaspar Hechtel (1 May 1771 – 20 December 1799) was a German businessman, owner of a brass factory in Nuremberg, non-fiction writer and designer of parlour games including the prototype for the Petit Lenormand cartomancy deck. According to published biographies, Hechtel also contributed anonymously to some treatises on physics.
Leaves (German: Laub) is one of the four playing card suits in a deck of German-suited playing cards.This suit was invented in 15th century Germany and is a survivor from a large pool of experimental suit signs created to replace the Latin suits.
The song begins with the line "Auf der Heide blüht ein kleines Blümelein" (On the heath a little flower blooms), the theme of a flower (Erika) bearing the name of a soldier's sweetheart. [2] After each line, and after each time the name "Erika" is sung, there is a three beat pause , which is filled by the kettledrum or stamping feet (e.g. of ...
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Bing Crosby included the song in a medley on his album 101 Gang Songs (1961). German-American jazz keyboardist Clare Fischer recorded two dramatically contrasting versions in 1975 and 1980, a solo piano performance on Alone Together and his arrangement for a Latin jazz ensemble supplemented by the vocal quartet 2+2 on the eponymous album 2+2.