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Midnight Mary is a 1933 American pre-Code crime drama film directed by William A. Wellman and starring Loretta Young, Ricardo Cortez, and Franchot Tone. Plot
Joseph S. "Joe" Ruggiero (December 7, 1934 – January 20, 2017), who performed as Joey Powers, was an American pop singer and songwriter whose record "Midnight Mary" reached No. 10 on the Billboard Hot 100 [1] in early January 1964. Powers had no further hits and is known as a "one hit wonder". He later became a booking agent, recording studio ...
Midnight is a 1939 American screwball comedy film directed by Mitchell Leisen and starring Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor, and Elaine Barrie.
Night of the Comet is a 1984 American science fiction comedy horror film written and directed by Thom Eberhardt.It stars Catherine Mary Stewart, Robert Beltran, and Kelli Maroney as survivors of a comet that has turned most people into either dust or zombies.
Mary is a 2024 epic biblical film directed by D. J. Caruso from a screenplay by Timothy Michael Hayes. It follows Mary, mother of Jesus, played by Noa Cohen, from her childhood in Nazareth to the birth of Jesus. The film also stars Ido Tako, Ori Pfeffer, Hilla Vidor, Dudley O'Shaughnessy, and Anthony Hopkins.
Lilly Turner is a 1933 American pre-Code melodrama directed by William A. Wellman, starring Ruth Chatterton and produced by First National Pictures.It is based on the 1932 play of the same name by Phillip Dunning and George Abbott.
In 1953, the Screen Actors Guild agreed to a residuals payment plan that greatly facilitated the distribution of B movies to television. [3] A number of local television stations around the United States soon began showing inexpensive genre films in late-night slots; these late-night slots were after the safe-harbor time, meaning they were largely exempt from Federal Communications Commission ...
Midnight Son received very positive reviews from critics. Rotten Tomatoes rated the film "Fresh" with 95% of critical reviews being positive. [3]Philip French of The Observer newspaper said it was "a frightening story, plausibly developed within a relatively brief running time, and the central love between the male protagonist increasingly addicted to blood and a girl addicted to cocaine is ...