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The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-. When worn by geisha and maiko , oshiroi is notable for only partially covering the nape of the neck, as an uncovered nape was traditionally considered erotic in Japanese culture.
Fascinated by these old hand-carved masks and their history as part of an ancient art form, he decided to learn how to carve such masks. (Interview) Back in Japan, before talking to any master carver, he began work on his first mask, one called okina, an old man mask for one of earliest characters in Noh tradition. (Noh)
Kumadori (隈取) is the stage makeup worn by kabuki actors, mostly when performing kabuki plays in the aragoto style. [1] The term also applies to a painting method in which two brushes are used simultaneously, one for the color and the other used to create shading or other details.
Hannya masks appear in various skin tones: a white mask indicates a woman with a refined character (such as the aristocratic Lady Rokujō in Aoi no Ue), a red mask depicts a less refined character (like the spirit of peasant girl seen in Dōjōji), and the darkest red depicts true demons (revealed after appearing as women, as in Momijigari and ...
A 19th century carved nut, depicting the mask of Hyottoko. Hyottoko (火男) is a comical Japanese character, portrayed through the use of a mask. His mouth is puckered and skewed to one side. Some masks have different eye sizes between the left and right eyes. He is often wearing a scarf around his head (usually white with blue dots).
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
Hōate are also portrayed in art and literature of the period, most notably the Aki no yo no Nagamonogatari scroll [10] and Taiheiki. The menpō (half-mask with detachable nosepiece) and the sōmen (full face mask) are believed to have been introduced around the mid to late 15th century, and the hanbō (chin guard) in the second half of the ...
Ukiyo-e [a] is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.