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Dramatic verse occurs in a dramatic work, such as a play, composed in poetic form.The tradition of dramatic verse extends at least as far back as ancient Greece.. The English Renaissance saw the height of dramatic verse in the English-speaking world, with playwrights including Ben Jonson, Christopher Marlowe and William Shakespeare developing new techniques, both for dramatic structure and ...
In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry and drama (in the form of tragedy and comedy). [12] Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
J. R. R. Tolkien's The Lord of the Rings is an example of epic fantasy, [20] though the genre is not limited to the Western tradition, for example: Arabic epic literature includes One Thousand and One Nights; [21] and Indian epic poetry includes Ramayana and Mahabharata. [21]
In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses.
[3]: ix In this text, Aristotle offers an account of ποιητική, which refers to poetry, and more literally, "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic.
The classical alexandrine was early recognized as having a prose-like effect, for example by Ronsard and Joachim du Bellay. [10] This in part explains the strictness with which its prosodic rules (e.g. medial caesura and end rhyme) were kept; they were felt necessary to preserve its distinction and unity as verse. [ 15 ]
Narrative poems include all epic poetry, and the various types of "lay", [2] most ballads, and some idylls, as well as many poems not falling into a distinct type. Some narrative poetry takes the form of a novel in verse. An example of this is The Ring and the Book by Robert Browning.