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[6] [7] Miles Hankins, Brandon Roberts, Marcus Trumpp and Buck Sanders provided additional music for the film. [8] American hip-hop recording artist El-P scored the end credits of the film. [9] Beltrami attended the 2015 San Diego Comic-Con held in July 2015, to discuss scoring the film. He described the score as "eerie" and "mysterious ...
"Come On, Come In" is a song by American hard rock band Velvet Revolver," [1] featured on the soundtrack to the 2005 superhero film Fantastic Four. [2] When released as a promotional single in the United States on June 21, 2005, [ 3 ] the song reached number 14 on the American Billboard Hot Mainstream Rock Tracks chart. [ 4 ]
"Everything Burns" is a song by American guitarist Ben Moody and American singer Anastacia for the soundtrack to the film Fantastic Four (2005) based on the Marvel comics of the same name. Released on June 20, 2005, "Everything Burns" became a top-10 hit in five European countries, including Italy, where it peake
The song did become their only entry in the UK Singles Chart, peaking at number 62 in February 1979. [4] The Fantastic Four remained active and released Working on a Building of Love in 1990 for the UK's Motorcity label. [5] The group's only Motown album, Best of The Fantastic Four, was released on CD by
"The Whole World Is a Stage" is a 1966 song recorded by American R&B music group the Fantastic Four for the Ric-Tic label. It was written by Albert "Al" Hamilton, Eugene Hamilton (under the pseudonym of Ronnie Savoy), and Ed Wingate and produced by Al Kent (a pseudonym for Al Hamilton) and Wingate. [1]
Fantastic Four (stylized as FANT4STIC) is a 2015 superhero film based on the Marvel Comics superhero team of the same name. Directed by Josh Trank, who co-wrote the screenplay with Jeremy Slater and Simon Kinberg, it stars Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell and Toby Kebbell. The film follows a group of intelligent teenagers ...
Fantastic Four finished at the top position at the box office with $56.1 million from 3,602 cinemas over its first weekend. [42] By the end of 2005, Fantastic Four had accumulated a gross income of $330.6 million, with $154.7 million of this coming in the United States.
On his music for the series, Lennertz said, "I get to mix a lot of things that don't often get to go together in terms of period, music, jazz, trumpet, mixed with orchestra, mixed with electronics and brushes on a drum set and things." He researched "what was going on between '46 and 1950 and what it was that would be part of that era ...