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The poem is written from a "we" point of view, which represents the "black folk collective", according to Braxton. [5] Braxton considers "We Wear the Mask" to be a protest poem which showed "strong racial pride". [6] Across the three stanzas, the world is unaware of the struggle of black people.
"In a Station of the Metro" is an Imagist poem by Ezra Pound published in April 1913 [1] in the literary magazine Poetry. [2] In the poem, Pound describes a moment in the underground metro station in Paris in 1912; he suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation".
"Not Waving but Drowning" is a poem by the British poet Stevie Smith.It was published in 1957, as part of a collection of the same title. [1] The most famous of Smith's poems, [2] it gives an account of a drowned man, whose distant movements in the water had been mistaken for waving. [3]
Wilamowitz suggested that the poem was a wedding song, and that the man mentioned in the initial stanza of the poem was the bridegroom. [10] A poem in the Greek Anthology which echoes the first stanza of the poem is explicitly about a wedding; this perhaps strengthens the argument that fragment 31 was written as a wedding song. [11]
Contextual factors including relationships with one's conversation partner, social capital (class) differences, location, and social setting are all reasons why an individual would express, suppress, or mask an emotion. [7] There is a gendered disparity in masking behavior; studies show women mask negative emotions to a greater extent than men.
The poem mentions several members of Lord Liverpool's government by name: the Foreign Secretary, Castlereagh, who appears as a mask worn by Murder, the Home Secretary, Lord Sidmouth, whose guise is taken by Hypocrisy, and the Lord Chancellor, Lord Eldon, whose ermine gown is worn by Fraud. Led by Anarchy, a skeleton with a crown, they try to ...
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The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward FitzGerald, who adopted the style from Hakim Omar Khayyam, the 12th-century Persian poet and mathematician. Each verse (save the last) follows an AABA rhyming scheme , with the following verse's A line rhyming with that verse's B line, which is a chain rhyme ...