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The Blue Onion pattern was designed by Johann Gregor Herold in 1739 likely inspired by a Chinese bowl from the Kangxi period. The pattern it was modelled after by Chinese porcelain painters, featured pomegranates unfamiliar in Saxony, so the plates and bowls produced in the Meissen factory in 1740 created their own style and feel.
The Könitz Porzellan factory was founded in 1909 in Könitz, Germany. [1] The original founders were brothers Richard and Max Metzel and their partner Rödel. [2] Some of the first products produced included porcelain cups, mugs, and bowls, most of which were exported to England. In 1912, due to increasing demand, the company expanded and took ...
There are also colourful famille-verte and famille-rose items, white Dehua ceramics, Japanese Arita porcelain, and ceramics made especially for export. The other strongpoint is the collection of Saxon porcelain, in particular Meissen porcelain .
Weimar Porzellanmanufaktur, or Weimar Porzellan (English: Weimar porcelain) is a German company that has been manufacturing porcelain in Weimar since 1790. [1]Part of the KÖNITZ Group family are next to WEIMAR PORZELLAN, the art of porcelain making for the 21 st century of which is living up to meet the most premium standards, amongst others, the brands WAECHTERSBACH with its colourful ...
Popularly called La China. 1760: Kloster Veilsdorf porcelain factory: ... made porcelain from 1763 to 1827 1764: ... KAHLA/Thuringian porcelain company: Kahla, Thuringia:
Famille rose enamels were known to have been used in Europe before its usage became established in China, for example in Vienna porcelain made by the Du Paquier factory in 1725. [9] Large number of famille rose porcelains were exported from China to the West, and many European factories such as Meissen , Chelsea and Chantilly copied the famille ...
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The factory had its origins in an official request made 8 September 1760 by the porcelain maker Georg Heinrich Macheleid (1723 -1801). Macheleid had long worked in the glass manufactory at Glücksthal and had gained the arcana of porcelain-making by his own researches, apparently independent of Ehrenfried Walther von Tschirnhaus and Johann Friedrich Böttger, the ceramists at Meissen.