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The Readers' Guide to Periodical Literature is a reference guide to recently published articles in periodical magazines and scholarly journals, organized by article subject.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
The following is a timeline of major events in post-classical history from the 5th to 15th centuries, loosely corresponding to the Old World Middle Ages, intermediate between Late antiquity and the early modern period.
"Greetings from Chicago, Illinois" large-letter postcard produced by Curt Teich The history of postcards is part of the cultural history of the United States. Especially after 1900, "the postcard was wildly successful both as correspondence and collectible" and thus postcards are valuable sources for cultural historians as both a form of epistolary literature and for the bank of cultural ...
Leonardo Bruni, Renaissance historian who helped develop the concept of "Middle Ages". Post-classical history is a periodization used by historians employing a world history approach to history, specifically the school developed during the late 20th and early 21st centuries. [3]
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism. Periodization
Literature of the 20th century refers to world literature produced during the 20th century (1901 to 2000).. The main periods in question are often grouped by scholars as Modernist literature, Postmodern literature, flowering from roughly 1900 to 1940 and 1960 to 1990 [1] respectively, roughly using World War II as a transition point.
This, he claims, explains the preponderance of pop culture references in postmodern literature: It was in post-atomic America that pop influences on literature became something more than technical. About the time television first gasped and sucked air, mass popular U.S. culture seemed to become High-Art-viable as a collection of symbols and myth.