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A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
Audio mixing is the process by which multiple sounds are combined into one or more audio channels. In the process, a source's volume level, frequency content, dynamics, and panoramic position are manipulated or enhanced. This practical, aesthetic, or otherwise creative treatment is done in order to produce a finished version that is appealing ...
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
For instance, when Barbra Streisand toured in 2006 and 2007, the audio production crew used three people to run three mixing consoles: one to mix strings, one to mix brass, reeds and percussion, and one under main engineer Bruce Jackson's control out in the audience, containing Streisand's microphone inputs and stems from the other two consoles ...
VAC is the audio equivalent of a MIDI loopback device such as MultiMid or Hubi, and can be used instead of "Stereo Mix" or "What U Hear" features of audio adapters. [1] [2] If more than one application is sending audio through an output virtual cable, VAC is able to mix all of the streams together or create separate corresponding virtual input ...
[2] In ambient or distant miking, a microphone – typically a sensitive one – is placed at some distance from the sound source. The goal of this technique is to get a broader, natural mix of the sound source or sources, along with ambient sound, including reverberation from the room or hall.
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[2] As well, in order to mix using automation on the console, analogue recorders generally required adjacent tracks to the time code track to be kept blank to avoid the time code signal interfering with the audio signals, which limited available tracks to 22 or 23 track at most. Digital multitrack machines had time code inserted elsewhere on ...