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In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
The late 19th century saw the rejuvenation of Oriental rug production, at this time Oushak re-surfaced as a preeminent center of weaving industry. The new Oushak industry saw two major shifts in design: floral patterns in the Persian tradition were incorporated into design and room size, decorative carpets were woven as European standards demanded.
Ashlar (/ ˈ æ ʃ l ər /) is a cut and dressed stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones. [1] Ashlar is the finest stone masonry unit, and is generally rectangular . It was described by Vitruvius as opus isodomum or trapezoidal.
The carpets often depict the scenes of falconry or images of a ferocious lion. Well known are also Tabriz carpet-pictures with images of fragments of palaces and mosques, scenes of battles. Often, in creation of this or that ornamental pattern carpet weavers were inspired by the hand-painted covers of ancient books.
Kerman carpets of the 18th century and later very often use "lattice" patterns, with the central field divided by a lattice design giving many small compartments. A notable example is a carpet having belonged to William Morris, now on display at the Victoria and Albert Museum. [1]
The most recognized design found on Ardabil rugs is the famous Mahi (Herati) design - a diamond medallion and small fish throughout. Some modern weavers have begun to favor bold geometric patterns over the traditional Mahi design, and have added colors such as turquoise and purple to the more traditional red, pink, ivory, green, and blue.
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