Search results
Results from the WOW.Com Content Network
The Blue Print: Us vs. Them is the debut studio album by British hip hop duo D-Block Europe, self-released on October 9, 2020.It features guest appearances from Aitch, Lil Pino, Raye, Srno and Stefflon Don. [4]
The symphony opens with a broad introduction in a form which is reminiscent of the French overture in two parts, the first slow and dramatic, the second more lyrical. This leads into the Allegro con brio, which is remarkable for its charm and the interplay of solo clarinet with syncopated strings, which developed pp from within the bounds of the style of chamber music to the larger sphere of ...
But the fifth C-G stays consonant, since only E has been flattened (C-E × E-G = 5/4 × 6/5 = 3/2), and can be used together with C-E to produce a C-major triad (C-E-G). These experiments eventually brought to the creation of a new tuning system , known as quarter-comma meantone , in which the number of major thirds was maximized, and most ...
Brahms's experiments with rhythm and phrase lengths are also apparent in the E ♭ major rhapsody, which for 60 bars maintains five-bar phrases. The grazioso second theme (starting bar 93) is constructed from eight-bar phrases that do not subdivide into four plus four, but into three plus two plus three.
The symphony is scored for 4 flutes (3rd and 4th doubling 1st and 2nd piccolo), 4 oboes (3rd and 4th doubling 1st and 2nd cor anglais), 3 clarinets (3rd doubling E-flat clarinet and bass clarinet), 4 bassoons (4th doubling contrabassoon), 6 horns, piccolo trumpet in D, 3 trumpets in C, 2 cornets in B flat, valve trombone, 3 tenor trombones, bass trombone, 3 tubas, 2 sets of timpani, 6 ...
DSCH is a musical motif used by the composer Dmitri Shostakovich to represent himself. It is a musical cryptogram in the manner of the BACH motif, consisting of the notes D, E-flat, C, B natural, or in German musical notation D, Es, C, H (pronounced as "De-Es-Ce-Ha"), thus standing for the composer's initials in German transliteration: D. Sch. (Dmitri Schostakowitsch).
Play ⓘ. Conventional progression or cadence without tritone substitution, i.e., NOT Tadd Dameron turnaround. Play ⓘ. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom", [1] derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major:
Mazurka in D major, Op. 33, No. 2, the second piece of the collection, is one of the most popular mazurkas. It has a fast tempo and strong irregular accents. The piece begins with the happy and joyful main theme, decorated with ornaments. After a second theme is introduced, the main theme is repeated for a second time.