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The work grows from a five-note motif, C–D–E ♭ –B–C ♯, which contains the four pitch-classes of the composer's musical monogram: DSCH (E ♭ being Es and B being H in German). This motif appears in a number of his other compositions, including String Quartet No. 8, the first Violin Concerto, and the Symphony No. 10. [2]
The Blue Print: Us vs. Them is the debut studio album by British hip hop duo D-Block Europe, self-released on October 9, 2020. It features guest appearances from Aitch, Lil Pino, Raye, Srno and Stefflon Don. [4] The album debuted at number 2 on the UK Albums Chart and number 1 on the UK R&B Albums Chart.
DSCH is a musical motif used by the composer Dmitri Shostakovich to represent himself. It is a musical cryptogram in the manner of the BACH motif, consisting of the notes D, E-flat, C, B natural, or in German musical notation D, Es, C, H (pronounced as "De-Es-Ce-Ha"), thus standing for the composer's initials in German transliteration: D. Sch. (Dmitri Schostakowitsch).
Rolling Stone is the third full-length studio album by British hip hop duo D-Block Europe (consisting of Young Adz and Dirtbike LB), independently released through EGA Records and UMG on 12 January 2024.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
USi – e.g. C minor over C 7, resulting in C 7 ♯ 9; US ♭ ii – e.g. D ♭ minor over C 7, resulting in C 7 ♭ 9 ♭ 13; US ♭ iii – e.g. E ♭ minor over C 7, resulting in C 7 ♯ 9 ♯ 11; The second item in the list above (C 7 ♭ 9 ♯ 11) has a related version called upper structure sharp four minor--with the written shorthand US ...
But the fifth C-G stays consonant, since only E has been flattened (C-E × E-G = 5/4 × 6/5 = 3/2), and can be used together with C-E to produce a C-major triad (C-E-G). These experiments eventually brought to the creation of a new tuning system , known as quarter-comma meantone , in which the number of major thirds was maximized, and most ...
Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.