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"Ave Maria" is a setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le Premier Prélude de Piano de S. Bach ". [1] The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major , BWV 846, from ...
piano, 54 minutes Leonhardt, Gustav: 1965: Teldec (Das Alte Werk) harpsichord Serkin, Peter: March 1965: New York City: RCA (the first of 5 recordings by this artist when he was 17) piano Yudina, Maria: January 1968: Moscow: Philips 456 994-2 "Great pianists of the century" piano Kempff, Wilhelm: July 1969: Deutsche Grammophon 439 978-2 ADD ...
For more Bach transcriptions by Busoni, see: List of adaptations by Ferruccio Busoni#Transcriptions (BV B 20 to 115) Bach-Busoni Editions; Charles Gounod's Ave Maria is based on Prelude No. 1 of Book I of The Well-Tempered Clavier. Francisco Tárrega transcribed a variety of Bach works, including his Fugue from Violin Sonata No. 1, BWV 1001
The Musical Offering (German: Musikalisches Opfer or Das Musikalische Opfer), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Prussia), to whom they are dedicated.
Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771).
In his preface to the 1990 second edition of the Bach-Werke-Verzeichnis (BWV), Wolfgang Schmieder proposed to add a capital "R" to a BWV number to indicate a reconstructed version of a composition that is only extant in a later version, hence a reconstruction of a conjectured earlier version of the BWV 1060 concerto can be indicated as BWV 1060R.
Dortmunder Bach-Symposion im Januar 1996 (in German), Dortmund, pp. 257– 263 {}: CS1 maint: location missing publisher ; Breig, Werner (1999), Bach: Concertos for Harpsichord, Neue Bach Ausgabe, Bärenreiter, preface Archived 2017-05-17 at the Wayback Machine (note there is a later edition with piano reductions by Werner Breig)
Ave Maria: Alleluja et Ave Maria d'Arcadelt: piano 1862 S.183 The Alleluja was based on themes from Liszt's own Cantico del sol di San Francesco d'Assisi, S.4. [3] The Ave Maria was based on Dietsch's Ave Maria, a setting for unaccompanied voices (1842?) loosely based on Jacques Arcadelt's three-part madrigal Nous voyons que les hommes. [1 ...
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