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The style is clearly influenced by the Greco-Buddhist art of Gandhara. [ 44 ] The Indo-Scythian Western Satraps (1st century AD-405 AD may have played a role in the transmission of the art of Gandhara to the western Deccan region, as may also have the southern expansion of the Alchon Huns in the 6th-7th century.
Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan [1] civilization centred in present-day north-west Pakistan and north-east Afghanistan. [2] [3] [4] The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and ...
In Jainism, the term Ganadhara is used to refer the chief disciple of a Tirthankara. In samavasarana , the Tīrthankara sat on a throne without touching it (about two inches above it). [ 1 ] Around, the Tīrthankara sits the Ganadharas . [ 2 ]
Foucher's most famous work was L'Art Gréco-Bouddhique du Gandhara in which he described how Buddhist art prior to Pan-Hellenism was principally aniconic, representing the Buddha by depicting elements of the Buddha's life instead of depicting the Buddha himself. Foucher argued that the first sculpted images of the Buddha were heavily influenced ...
The Greek artistic culture strongly influenced the art of Gandhāran Buddhism, which saw the first representations of anthropomorphic Buddhas, with Greco-Buddhist art styles that can be seen in the drapery and hair style. [19] Successive conquerors of the region included the Indo-Scythians and the Indo-Parthians.
Kushan art blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2] Most of the Greco-Buddhist art of Gandhara is thought to have been produced by the Kushans, starting from the end of the 1st century CE. [16]
Behrend, Kurt A. (ed), The Art of Gandhara in the Metropolitan Museum of Art, 2007, Metropolitan Museum of Art, ISBN 9781588392244, online; Behrend, Kurt A., The Ancient Reuse and Recontextualization of Gandharan Images: Second to Seventh Centuries CE, 2009, South Asian Studies, Ganharan Studies, vol. 2, online at www.academia.edu
Many artistic influences transited along the Silk Road, especially through the Central Asia, where Hellenistic, Iranian, Indian and Chinese influence were able to interact. In particular Greco-Buddhist art represent one of the most vivid examples of this interaction. As shown on the 1st century CE Silk Road map, there is no single road but a ...