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The Khanqah-e-Moula Kashmiri: خانقاہِ معلیٰ), also known as Shah-e-Hamadan Masjid and Khanqah, is a Sunni mosque located in the Old City of Srinagar in Jammu and Kashmir, India. Situated on the right bank of the river Jhelum between the Fateh Kadal and Zaina Kadal bridges, it was built in 1395 CE , commissioned by Sultan Sikendar in ...
Shib ad-Din became a follower of Mir Syed Hasan Semnani and so Hamadani was welcomed in Kashmir by the king and his heir apparent Qutbu'd-Din Shah. At that time, the Kashmiri ruler, Qutub ad-Din Shah was at war with Firuz Shah Tughlaq, the Sultan of Delhi, but Hamdani brokered a peace. Hamdani stayed in Kashmir for six months.
Out of his four sons Moulana Rasool Shah the 2nd (1251-1327 H) also known as Sir Sayyed-e-Kashmir, was a pioneer in introducing modern education in Kashmir under the banner of Anjuman-e-Nasratul-Islam. [5] Moulana Ahmadullah Shah (1285-1349 H) and Moulana Atique Ullah Shah (1291-1381 H) took the title of Mirwaiz Kashmir one after another.
Nurbakhsh became a disciple of Sayyid Ishaq al-Khatlani, himself a disciple of Mir Sayyid Ali Hamadani. [3] Through his writings Nurbakhsh made an attempt to bridge the gap between the orthodox Sunni'ism and Shi'ism and gave an Islamic Fiqh of religious moderation in his book titled Al-Fiqh al-Ahwat (Moderate Islamic Jurisprudence). [4] [5]
Encompasses the medieval music, a ladishah singer literally acts as a communicator in a society to convey their message to the people either for public entertainment purpose or to address political views, social consciousness or cultural competence without practicing false consciousness and parody music. [4] [5] In broad sense, a ladishah ...
Maqamat Badi' al-Zaman al-Hamadhani (Arabic: مقامات بديع الزمان الهمذاني), are an Arabic collection of stories from the 9th century, written by Badi' al-Zaman al-Hamadani. Of the 400 episodic stories, roughly 52 have survived.
Tappa originated from the folk songs of the camel riders in Punjab. [1] The tappa style of music was refined and introduced to the imperial court of the Mughal Emperor Muhammad Shah, [2] and later by Mian Ghulam Nabi Shori or Shori Mian, a court singer of Asaf-Ud-Dowlah, Nawab of Awadh.
Baha al-Din was born in March 1318 in the village of Qasr-i Hinduvan, which was one farsakh from the city of Bukhara. [1] [2] Like the majority of the sedentary population of the region, Baha al-Din was a Tajik, i.e. a speaker of Persian and a participant in its culture. [2]