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The bath-house was heated and the unsuspecting Drevlians entered and began to wash themselves. [Olga's] men closed the bath-house behind them and Olga gave orders to set it on fire from the doors, so that the Drevlians were all burned to death." [4] An early description of the banya comes from the East Slavic Primary Chronicle of 1113. [4]
Both are small paintings: the larger measures 29.3 cm x 33.4 cm and is in the Sabauda Gallery in Turin, Italy; the smaller panel is 12.7 cm x 14.6 cm and in the Philadelphia Museum of Art. The earliest documentary evidence is in the 1470 inventory of Anselm Adornes of Bruges 's will; he may have owned both panels.
Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, seminaries, etc.It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions.
The sanctuary has many affinities with the nearby contemporary sanctuary of Fortuna Primigenia in Palestrina, with its theatre set on the hill dominated by the sacred square, even if it differs in the size of the temenos, the location of the auditorium of the theatre, the double portico and the presence of the via tecta.
This bath, measuring 75 m 2 (810 sq ft), which can be accessed from the house and from the street, was uncovered at the start of the 20th century. The archaeological analysis of the bath's relationship with the house in which it is located has led Thébert to suggest that it was a later addition to the original construction but he does not ...
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